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James Rosenquist

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James Rosenquist
Pseudonym Rosenquist, James Albert
Gebuer 29. November 1933
Grand Forks
Gestuerwen 31. Mäerz 2017
New York
Nationalitéit USA
Educatioun University of Minnesota,
Art Students League of New York
Aktivitéit Moler, Fotograf, Designer, Sculpteur, Graveur, visuelle Kënschtler, Kënschtler
Member vun American Academy of Arts and Letters, American Academy of Arts and Sciences

Den James Rosenquist, gebuer den 29. November 1933 zu Grand Forks, North Dakota (USA) a gestuerwen den 31. Mäerz 2017 zu New York City, New York[1] war en US-amerikanesche Pop-Art-Kënschtler.

Liewen a Wierk

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No engem Kurzzäitstipendium 1948 op der Minneapolis School of Art, huet den James Rosenquist vun 1952 bis 1954 Molerei op der University of Minnesota studéiert. 1955 ass hien dunn op New York City gaangen, wou hien eng Bourse fir e Studium op der Art Students League krut a wou hien 1956 de Robert Indiana, Jasper Johns, Ellsworth Kelly, Agnes Martin an de Robert Rauschenberg kenne geléiert huet.

Vun 1957 bis 1960 huet hie seng Sue mam Mole vu Reklammsschëlter verdéngt. Mam Opkomme vun der Pop Art gouf hie séier ee vun den Haaptleit. Hien huet d'Technike vun der Plakatemolerei op de grousse Biller applizéiert déi hie vun 1960 u gemaacht huet. An der New Yorker "Green Gallery" hat hien 1962 seng éischt Eenzelausstellung, duerch déi hie grouss Opmierksamkeet an der Ëffentlechkeet an an der Press krut. Wéi och schonn aner Pop-Art-Kënschtler, huet de Rosenquist d'Billersprooch vun de Reklammen a vun der Pop-Kultur an de Kontext vun de visuelle Kënscht iwwerholl. International Unerkennung krut hien 1965 mam monumentale Bild F-111. De Rosenquist huet de Bomber F-111 op véier risegen Deelbiller gemoolt, kombinéiert mat anere Sujeten, wéi Spaghetti mat Tomatenzooss, engem Fön, elektresche Biren an engem Atompilz. Den Tableau  ass ronn dräi Meter héich a 26 Meter breet[2].

Ausstellungen (Auswiel)

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  • 1966: Galerie Ileana Sonnabend, Paris
  • 1966: Leo Castelli Gallery, New York
  • 1966: F-111 Kunsthalle Bern, Bern
  • 1966: Louisiana Museum of Modern Art
  • 1966: Humlebaek
  • 1966: Staatliche Kunsthalle, Baden-Baden
  • 1966: Galleria Nationale d'Arte Moderna, Rom
  • 1967: F-111, Musée des Arts Decoratif, Paris
  • 1968: 4. documenta, Kassel
  • 1968: The National Gallery of Canada, Ottawa
  • 1968: Galerie Ileana Sonnabend, Paris
  • 1968: Galleria Gian Enzo Sperone, Turin
  • 1969: Horse Blinders. Leo Castelli Gallery, New York
  • 1970: Horizon Home Sweet Home. Leo Castelli Gallery, New York
  • 1970: Two Large Paintings. Leo Castelli Gallery, New York
  • 1970: Galerie Rolf Ricke, Köln
  • 1970: Recent Lithographs. Castelli Graphics, New York
  • 1971: Leo Castelli Gallery, New York
  • 1972: Gemälde-Räume-Graphik. Kunsthalle Köln, Wallraf-Richartz-Museums, Köln
  • 1972: Galerie Rolf Ricke, Köln
  • 1972: Whitney Museum of American Art, New York
  • 1972: Museum of Contemporary Art, Chicago, Illinois
  • 1973: Leo Castelli Gallery, New York
  • 1973: Stedelijk Museum, Amsterdam
  • 1973: Horse Blinders – Lithographs. Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska-Lincoln, Lincoln, Nebraska
  • 1974: Max Protetch Gallery, Washington, D.C.
  • 1974: Castelli Graphics, New York
  • 1974: Jared Sable Gallery, Toronto, Ontario, Kanada
  • 1974: Litografier. Norrköpings Museum, Norrköping
  • 1974: An Exhibition of Paintings, 1961–1973. The Mayor Gallery, London, England
  • 1974: Margo Leavin Gallery, Los Angeles, Kalifornien
  • 1975: Recent Work. The New Gallery, Cleveland, Ohio
  • 1975: Drawings. Leo Castelli Gallery, New York
  • 1975: Paintings. Margo Leavin Gallery, Los Angeles, Kalifornien
  • 1976: New Paintings. The Mayor Gallery, London, England
  • 1977: Documenta 6, Kassel
  • 1977: Sable-Castelli Gallery, Toronto, Ontario, Kanada
  • 1977: 9 Large Drawings. Institute of Modern Art, Brisbane, Australien
  • 1977: New Paintings. Leo Castelli Gallery, New York
  • 1978: Hand-colored Etchings, 1978. Multiples, Inc., New York
  • 1978: Recent Paintings. The Mayor Gallery, London, England
  • 1979: Graphics Retrospective. John and Mable Ringling Museum of Art, Sarasota, Florida
  • 1979: Ft. Lauderdale Museum of the Arts, Ft. Lauderdale, Florida
  • 1979: Recent Prints by James Rosenquist. Albright-Knox Gallery, Buffalo, New York
  • 1979: James Rosenquist: Seven Paintings. Plains Art Museum, Moorhead, Minnesota
  • 1980: New Paintings and Sculpture. Castelli-Feigen-Corcoran Gallery, New York
  • 1980: Texas Gallery, Houston, Texas
  • 1981: Thief. Leo Castelli Gallery, New York
  • 1981: Selected Prints. Castelli-Goodman-Solomon Gallery, East Hampton, New York
  • 1981: High Technology and Mysticism: A Meeting Point. The Dolly Fiterman Art Gallery, Inc., Minneapolis, Minnesota
  • 1982: House of Fire. Castelli-Feigen-Corcoran Gallery, New York
  • 1982: Paintings from the Sixties. The Mayor Gallery, London, England
  • 1982: James Rosenquist at Colorado State University. Colorado State University, Fort Collins, Colorado
  • 1982: Reflector-Deflector. Castelli-Feigen-Corcoran Gallery, New York
  • 1983: Center for the Fine Arts, Miami, Florida
  • 1983: Paintings & Works on Paper. Van Straaten Gallery, Chicago, Illinois
  • 1983: Thordén-Wetterling Galleries, Göteborg, Schweden
  • 1983: Leo Castelli Gallery, New York
  • 1984: New Paintings. Heland-Thordén-Wetterling Galleries, Stockholm
  • 1985: The Persistence of Electrical Nymphs in Space. Leo Castelli Gallery, New York
  • 1985: Paintings 1961–1985. Denver Art Museum, Denver, Colorado
  • 1985: Contemporary Arts Museum, Houston, Texas
  • 1985: Des Moines Art Center, Des Moines, Iowa
  • 1985: Albright-Knox Art Gallery, Buffalo, New York
  • 1985: Whitney Museum of American Art, New York, New York
  • 1985: National Museum of American Art, Washington, D.C.
  • 1986: Ladies of the Opera Terrace. Heland-Thordén-Wetterling Galleries, Stockholm, Sweden
  • 1987: One Painting and One Print. Heland-Thordén-Wetterling Galleries, Stockholm, Schweden
  • 1987: Galerie Daniel Templon, Paris
  • 1987: Paintings 1987. Heland-Thordén-Wetterling Galleries, Stockholm,
  • 1988: Through the Eye of the Needle to the Anvil. Leo Castelli Gallery, New York
  • 1988: Florida State University Gallery & Museum, Tallahassee, Florida
  • 1988: The University Gallery at Memphis State, Memphis, Tennessee
  • 1988: The Polk Museum of Art, Lakeland, Florida
  • 1988: New Work. Richard L. Feigen & Co., Chicago, Illinois
  • 1988: University Gallery at Memphis State, Memphis, Tennessee
  • 1989: Flashlife. Richard L. Feigen & Co., Chicago, Illinois
  • 1989: New Paintings. Richard L. Feigen & Co., London, England
  • 1989: Leo Castelli Gallery, New York
  • 1989: New Prints from Tyler Graphics. Heland-Wetterling Galleries, Stockholm
  • 1990: Never Mind, from Thoughts to Drawing. Universal Limited Art Éditions, New York
  • 1990: Welcome to the Water Planet. Museum of Modern Art, New York
  • 1990: Laguna Gloria Art Museum, Austin, Texas
  • 1990: University of Missouri, Kansas City, Missouri
  • 1990: University Art Museum, University of California, Santa Barbara, Kalifornien
  • 1990: Center for the Arts, Vero Beach, Florida
  • 1990: University of Kentucky Art Museum, Lexington, Kentucky
  • 1990: Leo Castelli Gallery, New York
  • 1991: Moscow 1961–1991. Tretyakov Gallery, Central Hall of Artists, Moskau
  • 1991: Rosenquist. IVAM, Centre Julio González, Valencia
  • 1992: The Early Pictures 1961–1964. Gagosian Gallery, New York
  • 1992: Paintings 1990–1992. Galeria Weber, Alexander y Cobo, Madrid
  • 1992: Recent Paintings. Galerie Thaddaeus Ropac, Paris
  • 1993: Time Dust, James Rosenquist, Complete Graphics: 1962–1992., Walker Art Center, Minneapolis, Minnesota
  • 1993: Honolulu Academy of Arts, Honolulu, Hawaii
  • 1993: Blaffer Gallery of Art, University of Texas, Houston, Texas
  • 1993: Harn Museum of Art, University of Florida, Gainesville
  • 1993: Montgomery Museum of Fine Arts, Montgomery, Alabama
  • 1993: Huntsville Museum of Art, Huntsville, Alabama
  • 1993: Elvehjem Museum of Art, Madison, Wisconsin
  • 1993: Joslyn Art Museum, Omaha, Nebraska
  • 1993: Neuberger Museum, State University of New York at Purchase
  • 1993: San Diego Museum of Art, San Diego, Kalifornien
  • 1993: University Art Museum, California State University, Long Beach, Kalifornien
  • 1993: Davenport Museum of Art, Davenport, Iowa
  • 1993: Leo Castelli Gallery, New York
  • 1993: Prints. Leo Castelli Gallery, New York
  • 1993: Recent Paintings. Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena
  • 1993: Recent Paintings. Galerie Thaddaeus Ropac, Salzburg
  • 1993: Akira Ikeda Gallery, Tokyo, Japan
  • 1993: Gift Wrapped Dolls or Serenade for the Doll after Claude Debussy. Feigen, Incorporated, Chicago, Illinois
  • 1994: Gift Wrapped Dolls. Richard L. Feigen and Co., London, England
  • 1994: The 30th Anniversary Exhibition. Leo Castelli Gallery, New York
  • 1994: James Rosenquist-Paintings. Wetterling Teo Gallery, Singapore, Singapore
  • 1995: Recent Work. The Portland Art Museum, Portland, Oregon
  • 1995: The Big Paintings. PYO Gallery, Seoul, South Korea
  • 1995: Paintings. Seattle Art Museum, Seattle, Washington
  • 1995: Gli anni novanta. Civico Museo Revoltella, Galleria d'Arte Moderna, Trieste
  • 1996: New Paintings and Constructions. Indigo Galleries, Inc., Boca Raton, Florida
  • 1996: A Retrospective of Prints Made at Graphicstudio 1971–1996. Graphicstudio, University of South Florida, Tampa, Florida
  • 1996: 4E77St 1970 Revisited (And New Paper Pieces from Gemini G.E.L.). Leo Castelli Gallery, New York
  • 1996: Target Practice. Galerie Thaddaeus Ropac, Paris
  • 1996: Galerie Thaddaeus Ropac, Salzburg, Austria
  • 1996: Target Practice. Feigen Incorporated, Chicago, Illinois
  • 1996: Painting and Prints from Leo Castelli, Castelli Graphics and the Artist. Brenau University, Gainesville, Georgia
  • 1996: New Paper Constructions. Gemini G.E.L., Los Angeles, Kalifornien
  • 1996: James Rosenquist: Singapore, Three Large Paintings. Galerie Thaddaeus Ropac, Paris
  • 1996: The Graphics of James Rosenquist. Center of Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa, Prefektur Fukushima, Japan
  • 1996: Leo Castelli Gallery, New York
  • 1996: New Works 1996. Wetterling Teo Gallery, Singapore, Singapore
  • 1998: The Swimmer in the Econo-mist. Deutsche Guggenheim Berlin
  • 1998: After Berlin: New Paintings. Feigen Contemporary, New York
  • 1999: Meteors: New Paintings. Baldwin Gallery, Aspen, Colorado
  • 2000: Paintings. Salvador Dalí Museum, St. Petersburg, Florida
  • 2001: The Stowaway Peers Out at the Speed of Light. Gagosian Gallery, New York
  • 2003: A Retrospective. Solomon R. Guggenheim Museum
  • 2003: The Menil Collection and The Museum of Fine Arts, Houston, Texas
  • 2003: James Rosenquist: Recent Paintings McClain Gallery, Houston, Texas
  • 2008 The Hole in the Center of Time, Jablonka Galerie, Berlin

Gielercher an Éierungen

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  • 1963: Selektioun als „Art In America Young Talent USA“
  • 1978: Ernennung op sechs Joer am „National Council of the Arts“
  • 1988: “Golden Plate Award” vun der American Academy of Achievement
  • 1998: Member vun der American Academy of Arts and Sciences
  • 2002: Attributioun vum järleche Konschtpräis vun der „Fundación Cristóbal Gabarrón“ als Unerkennung fir seng Kontributioun zur universeller Kultur

Kuckt och

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Um Spaweck

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Commons: James Rosenquist – Biller, Videoen oder Audiodateien

Referenzen an Notten

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  1. ↑ Décès de James Rosenquist, un des pionniers du pop art op 5minutes.rtl.lu, gekuckt de 5. Abrëll 2017
  2. ↑ Zeechnunge F-111
Vun „https://lb.wikipedia.org/w/index.php?title=James_Rosenquist&oldid=2307722“